Wedding Films

Our Portfolio of
Cinematic Wedding Films

Each film is a unique love story told in a cinematic style – from intimate elopements to grand Cotswolds celebrations.

Every couple brings something different – their own energy, their own story, their own magic. Browse our collection of wedding films below to see how we capture the emotion, laughter, and beauty of each day.

Wedding film portfolio

Solihull, West Midlands

A Great Gatsby Themed Wedding

Art Deco0:51 TrailerDrone

A breathtaking 1920s Great Gatsby themed celebration in Solihull. Golden hour light, feathered centrepieces and the most spectacular dancing - this trailer captures the glamour and emotion of this unforgettable day.

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Near Chalfont St Giles, Bucks

A Magical Forest Wedding

Outdoor0:41 TrailerCinematic

Hidden away near Chalfont St Giles, this enchanting forest wedding felt like stepping into a fairy tale. The ceremony took place under a canopy of ancient trees, with fairy lights and wildflowers setting the scene.

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Thorpe Garden, Oxfordshire

Fairy Garden Wedding

GardenHighlight FilmCotswolds

Thorpe Garden provided the most magical backdrop for this ethereal fairy garden wedding. Blooming florals, vintage lanterns, and a ceremony that moved everyone to tears - captured in every detail.

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West Mill, Derbyshire

West Mill Wedding Film

Mill Venue4:03 Highlight9:15 Full Film

West Mill is one of Derbyshire's most romantic venues - a stunning converted mill beside the River Derwent. This wedding was filled with intimate moments, incredible speeches, and dancing until midnight.

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Book Your Date

Your Wedding Film Awaits

Dates fill up quickly, especially in the Cotswolds wedding season. Get in touch to check availability for your date.

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The Creative Process

What Goes Into a Moonstruck Wedding Film

Before I film any wedding, I have a conversation with the couple. Not a questionnaire - an actual conversation. I want to know how they met, what their day is going to feel like, whether they’re the kind of people who want lots of prep footage or would rather I just let everything unfold. I ask about music preferences, whether there are any family dynamics I should be aware of, whether anyone would be uncomfortable on camera. That conversation shapes everything.

On the day, I’m gathering material the whole time - but I’m also thinking about the edit. When I see a moment, I’m already thinking about where it fits in the film’s arc. The vows need context. The speeches need energy before them and breath after. The first dance needs to feel earned. I’m not grabbing shots; I’m building something.

The edit usually takes two to three weeks. I watch through all the footage first without stopping, just to absorb the day and note what’s there. Then I start with the music. I probably spend more time choosing the right track than on any other single part of the edit, because the music sets the emotional temperature of everything that follows. I look for songs that feel personal - not overused wedding tracks, not anything that’ll feel dated in five years. Something that sounds like them.

Once the music is locked, I build the edit around it. Pacing matters enormously. A film that moves too fast feels frantic; too slow and it loses the viewer. I’m looking for a rhythm that lets the emotion land, then carries people forward before they lose the thread.

Colour grading is done shot by shot, not with a blanket filter applied across the whole film. I’m looking for consistency in skin tone across different lighting conditions - a church followed by a bright garden followed by a dimly lit reception room is three completely different colour challenges. Getting those to sit together cleanly takes time. I deliver via private download link and keep a backup copy for twelve months.

Cotswolds & Midlands Venues

Venues I’ve Filmed At

Part of what I love about this job is the variety of places I get to spend my working days. Here are some of the venues I’ve filmed at across the Cotswolds and Midlands.

Stanway House near Winchcombe is one of those Jacobean manor houses that looks as though it was built to be filmed. The gatehouse, the great hall, the tithe barn - it’s the kind of venue where the building does a lot of the work.

Sudeley Castle in Winchcombe is a genuine working castle with a Chapel, formal gardens and one of the most photographed backdrops in Gloucestershire. Filming there in autumn when the leaves are turning is something I look forward to every year.

Mallory Court Hotel in Leamington Spa is an arts and crafts country house hotel with beautiful manicured grounds. The light in the orangery in the morning is very good.

West Mill in Derbyshire is a converted Victorian mill that’s become one of the most sought-after stylish barn venues in the Midlands. The exposed brickwork and high ceilings give it a feel entirely different to the usual country house.

Bourton-on-the-Water makes a lovely backdrop for smaller or more informal wedding days - the low bridges and clear stream running through the middle of the village photograph beautifully in any light.

Ashorne Hill near Warwick has a large manor house set in quiet grounds that provide a polished countryside backdrop with a bit more privacy than some of the more public venues.

Edgbaston in Birmingham works well for couples who want something urban and elegant. The venue has a polished feel and the city light at night can be really striking on film.

Stratford Manor Hotel near Stratford-upon-Avon has an easy-going feel and grounds that give good outdoor coverage in most weather - it’s a reliable venue to film at.

For Couples

How to Watch Your Wedding Film

When your film arrives in your inbox, I always say: don’t watch it on your phone on the way to work. Give it a proper moment. Put it on a television if you can. Watch it together, in private, before you share it with anyone else. The first watch is the best watch - and it deserves the full experience.

Most couples end up watching their film several times in the first week alone. After that, it tends to become something they return to on anniversaries, or share for the first time with family members who couldn’t be there on the day. It’s a living thing. It earns its place on whatever device or platform you keep it on.

Every Season

Filming Across the Seasons

One thing I’ve learnt from years of filming weddings in the Cotswolds is that every season produces something different, and every season has its own beauty.

Spring weddings - April and May - come with the best blossom. Cherry trees, cow parsley in the hedgerows, that particular green that the fields only have for about three weeks in late April. The light is clean and soft before the summer haze comes in, and the longer days give more options in the evening schedule.

Summer is peak season. Long golden evenings, warm light from about 6pm onwards, the confidence of dry weather for outdoor portraits. The challenge is midday light, which can be harsh on camera - I work around it by using shaded locations for couple portraits and shooting the big cinematic shots in the evening hours.

Autumn is my personal favourite season to film in. The light goes lower and warmer, the landscape turns amber and copper, and the colours in the countryside around Gloucestershire become something extraordinary. If you’re having an October or November wedding, the visual palette you’re working with is genuinely hard to beat.

Winter weddings have a mood of their own. Candlelit ceremonies. Dramatic skies at 3pm. Couples in thick coats ducking outside for ten minutes for portraits in the grey afternoon light. They look completely different to summer wedding films, and that difference is part of what makes them interesting. Whatever season you’re getting married in, the film will reflect it honestly. The season is part of the story.